Epiphone Les Paul Standard Plus Top Review - How Close to Gibson Is It?
Like the Fender Stratocaster, the Gibson Les Paul has become a guitar icon, favored by players in such diverse styles as rock, metal, blues, jazz, and country. From Slash to Jimmy Page, the lovers of the Les Paul are common.
There's one downside, though, to owning one of these prized pieces of rock and roll history. These are not bargain-priced instruments.
The general street cost of a new Les Paul is well over $2,000, which is hardly pocket change. What's a Les Paul lover to do?
How about the Epiphone Les Paul Standard Plus?
Even though it reads "Epiphone" on the headstock, the guitar sounds, feels, plays, and looks like a "real" Gibson Les Paul, just several hundred dollars cheaper. This made-in-Korea Les Paul model even sports Les Paul's signature on the headstock. But how does it liken to an American-made Gibson Les Paul?
We surveyed a transparent Blue Les Paul Standard Plus Top, and I have to say the guitar has one of the most pretty tops I've discovered in this price range. The figuring is utterly exquisite, and is marvellously complimented by its creme-colored binding and chrome hardware.
Suffice it to say, that that the Epiphone Les Paul Standard Plus Top is one extremely attractive instrument.
When I first played the Epiphone, I couldn't help but compare it to my own Gibson Les Paul Standard. I have to say that I was real impressed with the Epiphone. The neck was fast easy to play, reminding me somewhat of a 1960 Gibson Les Paul Standard. It was quicker in many ways than my own Les Paul, which was a nice surprise.
The fretwork overall is quite well done, though possibly not as nice as my Gibson. The rosewood fretboard had a real nice feel to it, and the frets were smooth and well-polished overall.
The alnico classic pickups have the classic Les Paul bite out of the bridge pickup and a smooth, round tone from the neck pickup. Still, I ordinarily swap pickups out of most stock instruments and would probably do the same here.
Let me stress that it emphatically wouldn't be a "must," but I would in all likelihood put Duncan JB and Jazz pickups in the guitar, since I'm partial to that set of pickups.
These pickups sound terrific and might be what you're looking for without the need for replacements. They did tend to squeal somewhat at high volumes, but not annoyingly so.
It's not clear to the naked eye just where Epiphone has determined to cut corners with this fine guitar. Like all instruments in this price range, the Epiphone Les Paul Standard Plus Top uses veneer instead of solid woods for the top, body, and neck. Nevertheless, the guitar is still a looker and has a fine tone suitable for a mixture of styles.
The veneer body, though, in reality allows these Korean-made Epiphones to weigh less than the made-in-USA Gibson guitars, a welcome change. The bottom line is that the Epiphone Les Paul Standard Plus is a fantastic guitar for the money and far less expensive than its Gibson sibling. - 18423
There's one downside, though, to owning one of these prized pieces of rock and roll history. These are not bargain-priced instruments.
The general street cost of a new Les Paul is well over $2,000, which is hardly pocket change. What's a Les Paul lover to do?
How about the Epiphone Les Paul Standard Plus?
Even though it reads "Epiphone" on the headstock, the guitar sounds, feels, plays, and looks like a "real" Gibson Les Paul, just several hundred dollars cheaper. This made-in-Korea Les Paul model even sports Les Paul's signature on the headstock. But how does it liken to an American-made Gibson Les Paul?
We surveyed a transparent Blue Les Paul Standard Plus Top, and I have to say the guitar has one of the most pretty tops I've discovered in this price range. The figuring is utterly exquisite, and is marvellously complimented by its creme-colored binding and chrome hardware.
Suffice it to say, that that the Epiphone Les Paul Standard Plus Top is one extremely attractive instrument.
When I first played the Epiphone, I couldn't help but compare it to my own Gibson Les Paul Standard. I have to say that I was real impressed with the Epiphone. The neck was fast easy to play, reminding me somewhat of a 1960 Gibson Les Paul Standard. It was quicker in many ways than my own Les Paul, which was a nice surprise.
The fretwork overall is quite well done, though possibly not as nice as my Gibson. The rosewood fretboard had a real nice feel to it, and the frets were smooth and well-polished overall.
The alnico classic pickups have the classic Les Paul bite out of the bridge pickup and a smooth, round tone from the neck pickup. Still, I ordinarily swap pickups out of most stock instruments and would probably do the same here.
Let me stress that it emphatically wouldn't be a "must," but I would in all likelihood put Duncan JB and Jazz pickups in the guitar, since I'm partial to that set of pickups.
These pickups sound terrific and might be what you're looking for without the need for replacements. They did tend to squeal somewhat at high volumes, but not annoyingly so.
It's not clear to the naked eye just where Epiphone has determined to cut corners with this fine guitar. Like all instruments in this price range, the Epiphone Les Paul Standard Plus Top uses veneer instead of solid woods for the top, body, and neck. Nevertheless, the guitar is still a looker and has a fine tone suitable for a mixture of styles.
The veneer body, though, in reality allows these Korean-made Epiphones to weigh less than the made-in-USA Gibson guitars, a welcome change. The bottom line is that the Epiphone Les Paul Standard Plus is a fantastic guitar for the money and far less expensive than its Gibson sibling. - 18423
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