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Friday, December 25, 2009

Madame Butterfly, the Betrayal: A Review of the Opera

By Jeff Bridges

Madame Butterfly is an opera written by Giacomo Puccini which is very popular. We strongly recommend opera glasses for this breathtaking opera. The reasons why are about to be shown to you.

The Madame Butterfly opera begins with a United States Naval Officer, one of the main characters named Pinkerton and a Japanese Marriage Broker named Goro. Pinkerton and Goro are looking at a little house with a gorgeous view from the top of a hill overlooking the bay. Pinkerton wants to have the house home for 999 years. His 999 years include being able to cancel the housing agreement.

The wedding ceremony is soon to take place between Pinkerton and Butterfly. A lot of Butterfly's relatives will be flying in and coming to the wedding. Butterfly's uncle will not attend the wedding as he is a priest.

Pinkerton of course plans to marry Butterfly however, his true goal in life is to gain the love of as many beautiful women as possible, as he puts it, and he will not be satisfied until he captures the flowers of every shore. For this reason he retained the right to cancel the agreement any month. The time approaches that the stage will introduce you to the elegant Butterfly, have your opera glasses prepared.

Before you get to see Butterfly's beauty, one final part of the opera plays through. The American Consul, who is with Pinkerton, asks him if he loves Madame Butterfly. A yes will not come out of the mouth of Pinkerton, nor could it, for Pinkerton, is simply infatuated with Butterfly's innocence, beauty and charm. He does not love her. Pinkerton then begins to speak of one day having an American woman to wed.

We finally at this point see the beautiful and elegant Butterfly enters the stage. The wedding begins, and the beautiful Butterfly and uncommitted Pinkerton are wed. A party in honor of the event begins, again all members of the family are in attendance. All are enjoying the festivities when Butterfly's uncle, the priest breaks into the party. He condemns butter fly for her abandonment of her own religion to join her now husbands religion, and curses her. At this, the party breaks up leaving Butterfly weeping uncontrollably.

Butterfly finally gets over the condemnation and curse that she received from her uncle, and remains happily married to her beloved Pinkerton. Weeks turn to months, and she can hardly contain her joy and love for the man of her dreams, she continues to fall more deeply in love with a man that does not love her back. Pinkerton one day receives notice that he is to go on duty as a naval officer; before he leaves he gives Butterfly money, and promises to return as soon as possible.

Act three opens, to find that three years have passed. Butterfly continues to watch ships coming in hoping every day to see the ship of her beloved husband, in all this time her love for him has only increased. One day she sees the American consul who she has known from the beginning as Pinkerton's friend coming up the path to her home. Excitedly she greets him, hoping for news from her beloved. Unbeknownst to her, Pinkerton has asked him to go to Butterfly to tell her that he has wed another woman named Kate, and would not be coming back. Full of guilt the American gives the news.

Destroyed by the news left by Pinkerton's friend, Butterfly leaves the room weeping, only to return carrying Pinkerton's son that she has given birth to. Butterfly tells the American that Pinkerton could not leave his wife and son for another woman. After some convincing she succumbs to the fact that Pinkerton did not love her, and is not to return.

The story does not end here, but to find out the end of the story you will have to see Madame Butterfly for yourself. The costumes are sure to amaze, the music cannot be forgotten, and the story riveting. Make sure you don't forget to bring your opera glasses so that you can fully enjoy every moment. - 18423

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Opera Glasses- A Closer Look

By Jeff Bridges

The invention of opera glasses was a godsend for many theater goers. It was becoming increasingly difficult for theater-goers in the 1800's to view what was happening on stage. Theaters were growing increasingly large and seats in or near the front row were very expensive. The Paris Opera House, for example, was finished in 1875 and featured 2200 seats. It was a massive building at the time.

It went far beyond simply getting a good look at the stage from the affordable seats. If you were at the opera you were also there to be seen. This was because it was an important social event. Because of this, many people spent just as much time looking at the audience as they did the stage. A simple and fashionable way of magnifying the action was needed and opera glasses were invented.

Like many other accessories, opera glasses quickly became status symbols. They were used by members of high society to view what was happening in the audience as well as what was on stage. Often it was normal to spend much of the evening scanning the crowds as being seen was just as important as seeing a performance itself.

People found ways to make the glasses much more ornate. They became an accessory that told a lot about the owner's social status. They often featured elaborate cases made of precious metals or that were highly enameled. Inlays of mother-of-pearl and other precious materials also became quite common. There were also several variations that became popular. They included the lorgnette, with a handle that allowed you to hold the glasses up to your face. There was also a folding version that was popular as it could be collapsed and stored in a purse or other case.

Modern opera glasses are much the same as they were in the beginning. They still come in several different models. Opera glasses are still popular as well. They are not hard to find but it may take a bit of looking on your part. You should start your search in stores which sell binoculars. A camera store may have some or they may be able to order them for you.

When you are purchasing your opera glasses you should check the level of magnification that they offer. It is usually recommended that you look for a 3x magnification. This will allow you a good field of vision and will minimize the amount of shaking may see from hand movement. Anything over 5x magnification is considered to be too high.

The actual style you choose is a matter of preference. Do you like the traditional look of the lorgnette? Are you interested in a style which folds down very small? You can also look at the accessories that are out there including straps and carrying pouches.

Opera glasses can be a useful and beautiful accessory. It is an item with a long history that can make your trip to the theater much more enjoyable. - 18423

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Opera Glasses and the Phantom: A Review

By Jeff Bridges

Prepare yourself for an awe inspiring event and treat yourself to a night of The Phantom of the Opera, this performance will fill you with feelings ranging from sadness to ecstasy. As always, when attending any performance, remember to bring your opera glasses.

Our Story begins in the nineteenth century, and the curtains open to reveal that two business men have purchased an old theater house which is haunted by a spirit. This spirit is that of a genius construction worker who helped build the opera house by the name of Erik. The reality of the matter is that Erik is not in fact a phantom but was one who was disfigured from birth. To cover the disfigurement of his face the Phantom of the Opera wears the mask that we all know so well today.

The plot progresses when Erik appears to one of the stage performers Christine. He tells her that he has been sent to her by her dead father to give her voice lessons, and that he is an angel her father spoke of called The Angel of Music. The Phantom begins to give voice lessons to Christine though the walls of her dressing room, careful to never let her, or anyone see him. As the plot continues, Christine becomes an amazing singer, and quickly advances to being the star of the show.

As Christine is performing one night on stage, Christine faints, and a man in the audience comes to save her. This man Raoul, we find out is a childhood friend of Christine, and begins to fall in love with her. Raoul begins to attend her performances, gifting her with flowers, and visiting with her often.

Erik begins to become jealous of Raoul, and their relationship. Erik can no longer hold himself back from seeing Christine and meeting her in person. Of course, Erik is wearing his famous mask. Erik brings Christine to his area where he hides out and lives under the opera house.

Our heroine becomes angry and scared as she finds that Erik will not let her leave his world. After some argument Erik promises that he will release her after five days. He then gives Christine a tour of his lair, which is bizarre and twisted. Make sure you have your opera glasses at this point to make sure you don't miss a think

Christine cannot wait to see just who Erik is and why the mask is on his face. She grabs his mask and quickly takes it off during a remarkable duet. Grab your theatre glasses so you may get a glimpse of Erik's face. The lights may be too dimmed but it is worth a try! More chills will be sent down your spine with the screaming from the horrible site revealed. This deception angers Erik who now thinks he will not let Christine leave his spooky home. Erik so wants Christine to love him and you can feel his passion.

As the storyline carries on you will continue to be mesmerized by the music and wonderful performance that is given. But to see how The Phantom of the Opera ends, you will have to see it for yourself. This is one performance that you will want to see again and again. The wonderful storyline of the Phantom of the Opera with opera glasses is highly recommended. - 18423

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Opera Glasses and Shear Madness: a Comedic Review

By Jeff Bridges

Chances are, you have heard of Shear Madness, perhaps from a friend, or relative, and are considering attending a performance. My recommendation is that you should not attend, unless you would like to feel physical pain, and suffering from extreme laughter. However if you feel like you cheek and stomach muscles are in healthy enough shape, you may be able to endure this marathon of laughter. Opera glasses are very necessary for a performance of this type.

The play begins in a unisex hair salon; there are many types of people at coming in and out of the salon. We see many stereotypes, we see the dumb blond, homosexual hair dresser (played by John McGivern in the performance I attended.), the police officers, a high class woman, and of course the traditional red hot hunk of a man, which makes John McGivern's character giggle with delight. In this scene we get the first bits of comedy. All of the characters seem to be sharing the most well guarded secrets with the hairdressers; much like as is found in the real world.

Shear Madness is truly an evolutionary play; this is because it is always changing! What I mean by this, is that many of the words that are spoken in the play are not actually in the script but rather are given as improvisations by gifted comedians, in fact, much of the things talked about in the play focuses on current local and world news, you will never know what to expect. One of the things I found most amusing about this performance, is that many times, actors are caught off guard by the other actor's improvised lines, and you see them trying to contain their own laughter. For this you will surely want to bring your opera glasses as not to miss a beat!

During the play, all of a sudden, one of the characters will speak to the audience and ask for your opinion. People shout out the answer. Answers vary and it adds an entire new dimension to the already hilarious play. Be careful if you sit in the front three rows as you may be spotted out as the butt of a witty joke. Do not worry; the jokes are funny yet silly.

The hair salon is really just a front for the real story, for not too far into the play we find that owner of the hair salon has been murdered. The owner lived in an apartment above the salon before she was murdered, and the plot rapidly develops into a murder mystery. As you are in attendance undoubtedly you will find yourself trying to unravel the mystery behind the murder to see if you are the first to discover the true killer. Make sure that you bring your opera glasses along, to ensure that you don't miss a single beat in this thriller.

There is one last twist me must tell you about this improvised performance, although the owner of the beauty salon is always the one who gets murdered at the beginning, the person who actually did the killing is different every time! As the plot develops the actors ask members of the audience for their opinions, and toward the end, a vote takes place in which the murderer is chosen. This development is always very comical, and you will love to hear the different reasons the killers give to justify their actions. There is one catch though, if you want to see why each murderer kills the owner, you will have to see it multiple times, as there is only one murderer in each showing!

Shear Madness is one of the longest running plays that are not musical. Popular critics such as the New York Times, Newsweek, Chicago Sun-Times, The Wall Street Journal and more have given Shear Madness rave reviews.

Remember when you attend, as always; bring your opera glasses, so as to not miss one single moment! Opera glasses will help you to make sure that you don't miss one moment or a laugh. - 18423

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Opera Glasses " Fashion Wear, Spyware Or Optical Instrument?

By Jeff Bridges

Opera glasses developed from a series of other inventions. All this started in 1608 when the Dutch optician Hans Lipperhey created binoculars consisting of two parallel telescopes. Their magnification capability was a (very impressive for the time) x3. Within one year the Italian mathematician and philosopher Galileo Galilee made massive improvements to the techniques and types of lenses used in telescopes, thereby increasing the magnification ability to x30.

Binoculars gave a much wider field of view than telescopes, but since they had 2 convex lenses, the picture that you saw was inverted. It wasn't until 1617 that Anton Schyrle added an additional lens to re-invert the image. In 1758 John Dollond of England invented the achromatic (color free) lens and thereby solved the problem of color distortion.

One of the final important developments in binocular technology happened when the Italian gunnery officer Ignazio Porro invented prismatic binoculars, thereby once again increasing the field of vision dramatically and making much larger magnification possible.

Opera glasses are mentioned for the first time in London newspaper advertisements dating back to 1730. These were not binoculars, but small Galilean telescopes. They were both used decoratively and to watch opera with. The bodies were often inlaid with gems, mother of pearl, ivory, enamel and other types of decorations.

Binocular-type opera glasses made their appearance for the first time during the '20s in Vienna. These early types were basically still only two small telescopes with a connecting bridge. The individual telescopes had to be focused by pulling out the tubes.

They soon became highly fashionable. Going to the opera without one of these was social suicide. The designs became increasingly elaborate. Often you would find an optician, a painter and a goldsmith working on the glasses before they were finally ready for their discerning owners. Once at the opera, they were not only used to watch the stage though - they were also regularly used to check out the other guests to make sure there wasn't by any chance someone with a more elaborate set of opera glasses!

The design was further improved substantially when it became possible to adjust both lenses at the same time using a small wheel in the center. This made opera glasses even more popular and soon everyone who was anyone had to have one. They were highly regarded as gifts - as one can clearly see when you study the inscriptions on many of these glasses dating back to the 17th century.

Although there are nowadays a multitude of different types of opera glasses on the market, they fall into two categories: monocular and binocular. Within those categories you get all the colors of the rainbow and all the styles and materials you can think of. You even get opera glasses with handles and reading lights. One of the more unusual types is one with a jealousy glass - so you can unobtrusively watch someone else in the audience! - 18423

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