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Saturday, January 9, 2010

The Green Screen LA and The Ambitious Attorney

By Phil Guye

In a whole world of depleting resources and an economy that's doing all it can to stay afloat, there are several doctors, attorneys and corporate professionals who are doing all that they can to market their talents. They are trying hard to make folk believe that their way of doing things are the best and that there may be little question that the fees that they charge are justified. Where does the green screen LA fit into the realm of these ambitious people? It is certainly not tough to imagine how and why these pros can utilize one of the most creative methods of film making to further their own ends, financially and otherwise.

Take the case of the ambitious attorney; he's a person who has graduated from a good law college with the only intention of making it big not only on the legal front, but in politics too. Law and politics are always interlinked and any literate person, with a hint of astuteness will be able to decode why the lawyer went looking for the best cameraman in the photographic industry. He knows the person worried must be an innovative genius when it came to using the green screen LA. He also knew that this cameraman could make a short video of him that would leverage him to bigger heights as an attorney.

So there he was, this lawyer who confessed that he could save just about anyone all suited and booted, a look of practiced shrewdness on his face, waiting for possible customers to fall for his talk, hook, line and sinker. Fall, they did; he succeeded in getting at least ten new clients in the first week after the video was released. But where did the green screen LA come in? The cameraman had used the green screen technique to photograph the attorney in front of the plain green screen. This was digitally removed and an image of a courtroom (with witnesses, judge and jury, all in attendance) was superimposed. The possible customer got a taste of what it was like to be in a courtroom, with a smart and savvy barrister arguing his case.

This is just the beginning of a long list that can be done using the green screen LA. All you need is the right kind of apparatus, the correct lighting apparatus and above all, a huge quantum of creative resourcefulness. A combination of all three is certain to take you places that you haven't ever been to; augmenting your image just as that of the attorney.

Today, there are lots of folks who get professional cameramen and videographers to put together the most bizarre of videos just for the heck of it. Girls in bikinis standing against the backdrop of a tundra icescape or aliens visiting the empire state building are just two such silly image. There's no doubt that the green screen LA feature is here to stay. - 18423

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Hollywood Green Screen Could Make All The Difference To Your Shot

By Phil Guye

In the last five years as a pro snapper, I've had the good fortune to shoot at Hollywood Green Screen a few times. The level of professionalism exhibited by the staff I worked with should be appreciated. This has prompted me to pen this for folk like me who are interested in knowing more about execs who are in the business of providing green screens, backdrops, lights and other types of kit that is needed to make a shot come out well.

If you are reading this article, I'm assuming you are also in the flick making business or in the photography business. Possibilities are that you are involved in making different types of videos too. As an example, if you're concerned in either music or commercial videos, you could approach Hollywood Green Screen for the utilization of the production kit these lofts have. You could even use the actual studio if you want to do some part of a documentary or to try out your casting and video auditions.

Hollywood Green Screen studios are especially good when it comes to providing the necessary infrastructure for corporate videos where you are trying to project a real pro look. If there's a certain need to have a shoot that's used in company leaflets and advertising material, this may be shot with the help of the Hollywood Green Screen staff, who are fully competent to assist you.

If, on the other hand, you're looking for a studio where Special FX may also be achieved at a cost that does not burn a hole in your pocket, then you really need to have a look at what Hollywood Green Screen has. To start with, you could use the place, together with the gear and the services of a camera man and a sound technician, for a relatively cheap hourly pay of $200. If you understand that you would be needing the place for much longer, you could even consider renting the studio for a whole day. This would be a lot less expensive, because if you rent the studio for 4 hours, you get an extra 4 hours free. That means that you pay $800 for 8 hours, an interesting $100 an hour. This is a good deal and this comes with the services of the staff and technicians as per your obligation.

Next time you are in Hollywood do not go round in circles wondering how you are going to get a good studio to finish your shoots. You have to call Mike, at Hollywood Green Screen, who has got the most pleasing manners when it comes to speaking to customers. He'll be able to help get what you're looking for, because he also will be in a position to make some proposals which will do a lot for your photograph / video shoot. - 18423

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Cheap Green Screen Los Angeles

By Phil Guye

Speaking about Green screen Los Angeles would be like talking about films using sophisticated technology in creating special effects. The recognition of green screen technology allows many filmmakers today to have the best quality of their art. They no longer get haphazard-looking shots because of the absence of green screen. Green screens are typically found in a studio where hire costs are very expensive.

Independent filmmakers have a small tight budget and they could not afford leasing a studio all of the time. Green screens that could be available and prepared anytime and anywhere would be a massive help to independent filmmakers since they are on a tight budget. They do not need to invest on expensive green screen technology; they can make their own green screen which they can bring anytime and anywhere.

Preparing all the materials for green screen is very easy. They have to provide two PVC pipes, pipe connectors, clamps, end caps and green fabric. They can also provide eye goggles to have what is obligatory for safety. They should cut the 2 PVC pipes depending on the preferred height for the green screen.PVC pipes must be cut correctly to prevent pointy edges. Clumsy cutting of the pipes can affect the toughness of the finished product.

Make sure to wear eye goggles when cutting pipes to protect eyes from pipe pieces. Cut each one of the pipes and link them using pipe connectors. The use of connectors will make the Green Screen Los Angeles handy. Always consider safety first when cutting pipes. To make the green screen more convenient, take another pipe and cut them similarly. The pips must not be as long in length as the green screen. They deserve to be shorter around 4 to 6 inches than the green fabric.

After completing the green screen, proceed to doing the stand. Go on with the leftover PVC pipe by cutting it into four equal quantities. Connect all pipes using pipe connectors and put end caps at the end of all of the PVC pipes. Make use of the leftover PVC pipe by trying them as spacers at the bottom of the green screen frame. Connect it to the pipe connector. Assemble all the parts and use glue on all pipe connectors. Apply glue properly on all pipe connectors so that its parts will not fall apart. Finally, get the clamps and attach the fabric to the frame. Ensure that the fabric will fall correctly. Independent filmmakers can make use of Green screen Los Angeles anytime and anywhere they desire at a particularly low budget. - 18423

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Green Screen Studio Develops Magic

By Phillip Guye

Green screen studio technology for visible effects grew up with the film industry technology every advancement in film technology benefited and improve green screen studio technology. In developing this type of technology ( otherwise known as Chroma Key Technology ) the color first used was blue like green, blue is the less like human skin tones. Over the years green has proved to be better than blue when it comes to outdoor filming. Today with computerization of chroma key technology, it is possible to use more colors rather than green and blue. At first Green screen studio was essentially used for weather reports as chroma key technology advanced it became well liked by film producers and photographers.

Green screen studio technology has many pioneers in developing and improving this technology. Before computer compositing, the method was complex and time consuming, and was known as traveling matte. The traveling matte and green chroma key technique were developed at RKO Radio photos and other lofts in the 1930's. At RKO studio Linwood Dun use the traveling matte process to create "wipes" ; which, makes transitions like a windshield wiper in films and was first utilized in the 1933 movie Flying Down to Rio. Larry butler is given credit for the development of Chroma Key special effects first used for the movie The thief of Bagdad which claimed him an Academy Award for CGI effects. Larry butler invented the green screen and traveling matte technique to develop visual effects that were rare in 1940. Servant was the first computer effects designer to develop special effects using the specialized screen for Technicolor still in the infancy stage at the time. In 1950, Warner brothers hire an ex-Kodak researcher name Arthur Widmer who commenced developing an ultra violet traveling matte process and improving new Chroma Key methodologies. The 1st film produce to use the state-of-the-art technology was The Old Man and the Sea in 1958.

Advancement in technology continues to boost the green screen studio computer effects. In the 1980's with the introduction of personal computers the process of merging two different images together using an optical printer a lot easier, in the filming of The Empire Strikes Back, Richard Edlund develop the quad optical printer. Making compositing simple, quicker, and cost saving that claimed Richard Edlund a special Academy Award for his invention.

As green screen studio enhancements occur many studios make heavy use of it's studio technology to add backgrounds like computer-generated imagery ( CGI ). Compositing has gotten less complicated allowing for pictures from different performances from different takes, and motion to be combined into one scene. Green screen studio makes it possible for filming location shots without leaving the studio which saves the high costs of location filming. Further developments of PC software and computational has eliminated the need to use grids or tracking marks.

In closing advances and improvements in technology to green screen studio occurs makes the utilization of it's technology easier and better for creating special visible effects. Today anybody can use a chroma key studio at home for adding visible effects to their own photos. What makes this type of studio possible is a purchase of a chroma key studio setup with computer software less than $200. This makes it simpler for pro photographers to create their own backgrounds or visible effects without the raised costs of filming on location. - 18423

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Choosing Materials For Your Green Screen Studio

By Phillip Guye

There are plenty of talks going on about which materials to use for your green screen. Expert advice will tell you that you cannot settle for just green. There is a right shade of green that's fit for green screen studio use. If you use any other shade, it won't have an identical effect and it will not be able to accomplish what it is set out to do.

It is for sure, correct to go for only a specific shade of green and a particular type of material as it will give you optimum results. However, in fact, you can make any effective green screen from nearly any type of smooth and green surface. The consequences of that will change according to preference but it doesn't mean that other type of green screen studio materials will be useless.

If you're one to go for quality, and you need to use the very best screen for your video productions, you can search the Net or ask around what makes the perfect green screen material. The most likely event is that you will be pointed in different directions. When it reaches that point, you've got to trust your own instincts and go with what you believe will work for you. Because certain materials may work for some folk but it doesn't for others. So you've got to be a discerning purchaser. Also remember that professional green screen material can be rather expensive. Separate a little of your budget exclusively for the green screen material alone if you actually wish to create a good green screen studio.

If you're looking for material that won't burn a hole in your pocket, there are axioms in finding useable material that may neither leave you bankrupt nor pissed off at the end of the day : Use something solid like a cardboard or smooth wood. Color it green. Make sure that you cover every space in paint because inconsistencies will be magnified 100 times in your production.

Employ a kind of fabric. There are 2 ways to go about this, you can either go for green fabric or take another fabric and then dye or paint it green. This method can be a bit tricky though since you've got to make sure that there are no black spots and fabric has the tendency to be insubstantial. - 18423

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