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Saturday, August 15, 2009

A Shopping Guide for Guitar Effects Pedals

By R. S. Rasnick

Effects pedals for the guitar have been around since the 1960s, when electric guitar based music and rock 'n' roll were on the rise. Roger Mayer, an engineer, is believed to have created the first guitar effects pedals, which was known as as "fuzz box" (today known as distortion or overdrive) and the "wah-wah" pedal. Mayer created pedals that were used by the likes of legendary rockers Jeff Beck, Jimi Hendrix, and Jimmy Page (for whom Mayer, his friend, reportedly created the first pedal in 1963 or 1964). Today, numerous effects are widely used by electric guitar players.

Guitarists use effects pedals to give themselves a wider variety of sound choices to use during recording or live performances. While different amplifiers can offer some of the alternatives, not many amplifiers have built-in effects. Besides, guitar players would have to go to their amplifiers every time they wanted to make a change. Effects pedals are much more convenient, especially since guitarists often change tones in the middle of a song.

So, just like the electric guitar and the amplifier offered guitarists a wider variety of tonal choices, effects pedals, too, give them even more options in shaping their tone. Electric guitarists are not the only ones to use effects pedals, however. Acoustic guitarists and classical players often draw upon them as well, but they tend to eschew the sounds of overdrive and distortion pedals enjoyed by electric guitarists.

After effects pedals became popular, rack-mounted effects saw more wide use amongst guitarists, especially during the 1980's. The Yamaha SPX-90 and Eventide Ultra Harmonizer were two of the most popular rack effects that guitarists used at this time. However, guitar players soon realized that effects pedals were far more convenient and useful than rack gear, especially since the sound quality of digital pedals increased dramatically and eliminated the need for much rack equipment.

So, with their effects usually mounted on pedalboards (a way to transport and store effects pedals), electric guitar players have only to "stomp" on the pedal box (hence the name "stompbox") to instantly switch on or switch off an effect. The wah-wah pedal and volume pedal is a little different than the others in that the player "rocks" the pedal back and forth to adjust the sound.

You'll find, though, that most guitar pedals are pretty simple to operate. With a simple "stomp," one can go from a blaring rock and roll distortion to a beautifully clean sounds. Some guitarists even use devices called "loopers" to chain groups of effects together than can be switched on and off simultaneously.

It's safe to say that most guitarists expend a lot of effort to get the "perfect" sound, and this involves configuring their guitars, amps, and effects pedals in the right combination. There are many different types of effects for players to chose from today: delay, vibrato, tremolo, chorus, pitch-shifting, flanger, overdrive, distortion, and the list goes on and on. Such effects can have significant changes on a guitarist's sound, which explains their ever-increasing popularity.

If you are interested in broadening your sound or just trying something different, then you should give some of the above effects a try. Who knows? They may inspire your next killer solo! - 18423

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