History of Percussion Instruments
It is generally agreed amongst anthropologists and archaeologists that other than the human voice, the first musical instruments known to mankind were percussion instruments. After the discovery of the voice as a means of creating sound for aesthetic purposes, percussion certainly followed shortly after. Sticks, hands, feet and rocks were struck in order to create a rhythm to accompany singers and evolved into percussion instruments closer to the types used today. Along with the technologies of simple tools for agriculture and hunting came the developments of more sophisticated drums, with logs being shaped with tools to produce louder sounds and smaller logs being cut into a set of drums which produced different tones.
Percussion instruments became much more sophisticated after most of mankind settled into agrarian communities and people found themselves with more time on their hands. Percussion instruments became part of religious beliefs, communication devices and tools for creative expression. By 1000 AD and in some cases far earlier, seed rattles and other instruments were used in Micronesia and Australia, djembes and kalimbas in Africa, maracas and drums in the Americas and gongs, chimes and even xylophones in Asia.
Several of the percussion instruments used in Western orchestral music came west from the Levant and the Balkans along with returning Crusaders in the 11th-13th centuries. These instruments became widely known in their own right and their designs influenced the work Western instrument makers.
Percussion instruments vary widely in their function within musical ensembles depending on their construction and size; they may produce a strictly percussive sound or have a tonal effect which can be a melodic element. Usually working alongside lower pitched brass and stringed instruments, percussion forms the rhythmic backbone of a composition in performance.
In popular music, a rhythm section of bass and percussion is a staple of the form. While the majority of classical orchestral music is written with the primary role being given to stringed instruments, woodwinds and brass, tympanis also play a part in many compositions, largely as an accent. The rules have changed a little and listeners will find percussion claiming its share of the spotlight in some modern orchestral works.
The 1700s and 1800s saw small percussion instruments such as cymbals and triangles coming into use in the orchestral setting, though again largely in a supporting role. It wasnt until later that percussion instruments were accorded a more equal footing with other instruments within the context of the orchestra.
Although not always the center of attention, percussion instruments are indispensible to almost every modern musical genre. Military and marching bands use percussion to provide the rhythm not only for the music being performed, but for the pace of marching soldiers. Jazz is in the minds of many synonymous with the sound of the ride cymbal, the brushed snare drum and the hi-hat " and its hard to imagine rock music in any style without percussion. From rhythm and blues to heavy metal, hip hop, country and other genres, percussion is the backbone of popular music.
Because of the mixture and wide assortments of percussive instruments, it is not unusual to find large musical gathering composed wholly of percussion. Rhythm, harmony and melody are all evident and alive in these musical factions, and in live performances they are quite a spectacle to see. - 18423
Percussion instruments became much more sophisticated after most of mankind settled into agrarian communities and people found themselves with more time on their hands. Percussion instruments became part of religious beliefs, communication devices and tools for creative expression. By 1000 AD and in some cases far earlier, seed rattles and other instruments were used in Micronesia and Australia, djembes and kalimbas in Africa, maracas and drums in the Americas and gongs, chimes and even xylophones in Asia.
Several of the percussion instruments used in Western orchestral music came west from the Levant and the Balkans along with returning Crusaders in the 11th-13th centuries. These instruments became widely known in their own right and their designs influenced the work Western instrument makers.
Percussion instruments vary widely in their function within musical ensembles depending on their construction and size; they may produce a strictly percussive sound or have a tonal effect which can be a melodic element. Usually working alongside lower pitched brass and stringed instruments, percussion forms the rhythmic backbone of a composition in performance.
In popular music, a rhythm section of bass and percussion is a staple of the form. While the majority of classical orchestral music is written with the primary role being given to stringed instruments, woodwinds and brass, tympanis also play a part in many compositions, largely as an accent. The rules have changed a little and listeners will find percussion claiming its share of the spotlight in some modern orchestral works.
The 1700s and 1800s saw small percussion instruments such as cymbals and triangles coming into use in the orchestral setting, though again largely in a supporting role. It wasnt until later that percussion instruments were accorded a more equal footing with other instruments within the context of the orchestra.
Although not always the center of attention, percussion instruments are indispensible to almost every modern musical genre. Military and marching bands use percussion to provide the rhythm not only for the music being performed, but for the pace of marching soldiers. Jazz is in the minds of many synonymous with the sound of the ride cymbal, the brushed snare drum and the hi-hat " and its hard to imagine rock music in any style without percussion. From rhythm and blues to heavy metal, hip hop, country and other genres, percussion is the backbone of popular music.
Because of the mixture and wide assortments of percussive instruments, it is not unusual to find large musical gathering composed wholly of percussion. Rhythm, harmony and melody are all evident and alive in these musical factions, and in live performances they are quite a spectacle to see. - 18423
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