Types of Kick Drum Samples
There are many different types of kick drum samples available for music producers today. Beat making is such an involved activity that having to use the same samples over and over can really kill your creativity. This is especially true with kick drum sounds as these are an elemental ingredient to just about every rhythm and blues, hip hop, rap, pop and rock song on the charts and underground today.
There are a few different sound stages (or phases) in every sample, including the ever-present kick drum. The first, and at the starting line, is called the attack. This first phase really determines the 'shine' factor of the kick, and whether it can be heard with a whole bunch of other sounds competing for attention. A slow attack (which means a weak starting point) will need to be compensated for by the other phases of the drum sample.
The sustained sound of the kick is very different depending on the type of drum sample that is chosen. One of the more famous sustains can be found in the sounds made by the famous TR-808 sampler and synthesizer by Roland. It has a very long booming sound that degrades in volume with time and yet keeps everything moving. The TR-808 actually has kicks of varying lengths for different applications, too.
Adjusting the volume envelope of a kick drum sample is very easy with the right tools. Most samplers will include an envelope modifier for the volume or can be modified to do this very easily. If your drum sampler or sequencer does not permit this, look for some free tools that will help you; there are literally thousands of free virtual sound generators and effects plug-ins available on the internet for free personal use.
If you still don't want to use an envelope to modify the volume, it's very easy to do it with an audio editor. Just select the part of the drum sample wave that fades out or stops (the end of it) and trim to your liking. To blend everything in after a crop, use a fade on the last few milliseconds to ensure that the drum samples are free of clipping.
You should also know that depending on what program you end up purchasing, different drum samples come with different programs. The drums in Propellerheads' Reason, for example, are different than those contained in Battery 3. You can mix and match, but what's important is that the samples are really the best for you; you should make a folder of your go-to drum samples to use time and time again. - 18423
There are a few different sound stages (or phases) in every sample, including the ever-present kick drum. The first, and at the starting line, is called the attack. This first phase really determines the 'shine' factor of the kick, and whether it can be heard with a whole bunch of other sounds competing for attention. A slow attack (which means a weak starting point) will need to be compensated for by the other phases of the drum sample.
The sustained sound of the kick is very different depending on the type of drum sample that is chosen. One of the more famous sustains can be found in the sounds made by the famous TR-808 sampler and synthesizer by Roland. It has a very long booming sound that degrades in volume with time and yet keeps everything moving. The TR-808 actually has kicks of varying lengths for different applications, too.
Adjusting the volume envelope of a kick drum sample is very easy with the right tools. Most samplers will include an envelope modifier for the volume or can be modified to do this very easily. If your drum sampler or sequencer does not permit this, look for some free tools that will help you; there are literally thousands of free virtual sound generators and effects plug-ins available on the internet for free personal use.
If you still don't want to use an envelope to modify the volume, it's very easy to do it with an audio editor. Just select the part of the drum sample wave that fades out or stops (the end of it) and trim to your liking. To blend everything in after a crop, use a fade on the last few milliseconds to ensure that the drum samples are free of clipping.
You should also know that depending on what program you end up purchasing, different drum samples come with different programs. The drums in Propellerheads' Reason, for example, are different than those contained in Battery 3. You can mix and match, but what's important is that the samples are really the best for you; you should make a folder of your go-to drum samples to use time and time again. - 18423
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